Don't Speak (Too Soon)

In the past week, both Miranda Sawyer and Peter Robinson have put pen to paper to proclaim the death of masculine indie. Both writers bemoan the blandness of the four boys with guitars blueprint, directing readers to a roster of lovely ladies tipped to add colour and character to the charts in 2009; name-checking artists de jour Little Boots, Lady GaGa, La Roux and Florence And The Machine in the process.

Of course, Helen Of Troy... and our lovely readers are already aware that female's where it's at, but it's nice to know that even more people are turning to women when they want their music to be innovative, interesting and delivered with attitude. It's no new thing for women to top the charts, but the class of 2009 seem to exude an attitude and individuality missing from 2008 hot tips Adele and Duffy.

While this is all good news, and believe us, we're incredibly smug at the moment, it's important to note that the battle is far from over. Critics tips and proper crossover successes are completely different things. Just look at the relatively poor chart performance of Lykke Li, Ladyhawke and Those Dancing Days. Even the superb Santogold found it tricky to set the charts alight, despite soundtracking several high-profile ad campaigns.

Unfortunately, if the massive hype surrounding these female artists doesn't start equating to massive record sales, the safe-as-houses indie boys will be back and the under representation of women in music will return. Let's just hope the attitudes of the record-buying public are changing, or we'll be back to bland quicker than you can say Norah Jones.